Monday, September 3, 2007
BOXES
- Excerpt from a documentation/evaluation of an exhibition/event in Stockholm in May; exhibiting works by John Andersson, Mattias Forshage and Niklas Nenzén, including performances by Christian Andersson, MF, Micke Lundberg and Emma Lundenmark, for the event of the release of four books by MF at Styx publishers. The whole documentation can be downloaded as a pdf, and the books (in swedish) can be purchased from styx
SURREALIST BOXES are confined arrangements of surrealist objects. Primarily it is about invoking and/or investigating the poetical accomplicity and non-utilitarian autonomy of the objects. Thus the individual objects included are selected (or rather present themselves) to the extent that they produce real encounters (taking part in chains of chance events as well as mere glimpses of dynamic and elusive meaning-production and in the end in the radicalisation of living) first with the finder/ boxmaker when they are found (trouvés) and then with each other within the box. (Philosophically, in the process the subject/ object-relation is addressed and challenged. The box format also brings in the notion of portability with everything relating to it regarding notions of freedom, repetivity and male sexuality at the same time as the box itself (Büchse) remains a traditional female sexual symbol and an obvious site for secrets, enigmas and treasures.) Thus, surrealist boxes can be characterised as snapshots of, or experimental setups for, the secret lives of objects in a portable arena. (...)
SURREALIST BOXES are confined arrangements of surrealist objects. Primarily it is about invoking and/or investigating the poetical accomplicity and non-utilitarian autonomy of the objects. Thus the individual objects included are selected (or rather present themselves) to the extent that they produce real encounters (taking part in chains of chance events as well as mere glimpses of dynamic and elusive meaning-production and in the end in the radicalisation of living) first with the finder/ boxmaker when they are found (trouvés) and then with each other within the box. (Philosophically, in the process the subject/ object-relation is addressed and challenged. The box format also brings in the notion of portability with everything relating to it regarding notions of freedom, repetivity and male sexuality at the same time as the box itself (Büchse) remains a traditional female sexual symbol and an obvious site for secrets, enigmas and treasures.) Thus, surrealist boxes can be characterised as snapshots of, or experimental setups for, the secret lives of objects in a portable arena. (...)
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